Despite her sense of duty, she will also heal almost anybody around her, including Renji after he was defeated by his captain, Gantenbainne Mosqueda when she arrived in Hueco Mundo, and the Visored, referring to them as allies despite Shinji Hirako's reluctance to do so. She rarely shows any signs of panic or distress, and has a great sense of duty, shown in the times that she orders Hanatarō Yamada’s imprisonment and Isane Kotetsu’s chasing of Renji Abarai when he runs away with Rukia Kuchiki. Unohana is a soft-spoken, polite, and caring woman who uses honorifics when addressing everyone, including her subordinates and the enemy. Unohana has a gentle and warm personality that augments her appearance. Unlike most Shinigami who carry their Zanpakutō in their sash, Unohana has a large string attached to the sheath of her Zanpakutō and carries it over her shoulder, or has her lieutenant, Isane Kotetsu, carry it for her whenever they are together on the battlefield. Before Kenpachi inflicted that scar on her, she did not tie her hair in front of her, instead wearing it down at all times. She also wears her hair down for the first time and is revealed to have been covering a notable scar in-between her collarbone, inflicted by Zaraki when the latter was young. While maintaining a kind and gentle look at most times, during her battle with Kenpachi Zaraki, her eyes appear gloomy and menacing. Over 100 years ago, she did not have the large braid, instead styling in front of her as a loose ponytail. Her hair is long and is always worn as a large braid down the front of her body. She wears the standard Shinigami captain shihakushō apart from using an obi instead of the normal sash, which hides her well-endowed bosom. Unohana has the appearance of a slender and very youthful woman with blue eyes and black hair. Yvette Lisa Ndlovu is a communications assistant for the College of Arts and Sciences. “In this class, we all learned how to take a role and help to create the creative vision of one director.” “Filmmaking is not just being creative and artistic but knowing and learning craft,” she said. Hye said the collaborative hands-on nature of the class helped her to understand the reality of filmmaking. Because that’s how I would feel if I were in her position.” “I wanted to make a strong female character who is hurt, angry and vengeful but also frustrated about how the world is drenched in violence and that she has to get into it, too. “Weren’t many of about a pale guy luring innocent girls anyway?” Hye said. The film is a satire about rape culture, in real life and in many vampire stories. Hye’s film, “Kill All Vampires,” allowed her to explore how violence, especially gender violence, has been normalized in story making, she said. “This was an amazing experience, and I was lucky to be able to work with such amazing directors and crew.”Ī scene from "Kitchen Blues," a student film by Sarah Nixon. “I chose these three films because I believed both in the writers and in their stories,” she said. Shuman worked as a producer on several films, updating scripts, scouting locations, casting and handling all of the logistics for the shoots. Students in the cinematography class served on camera teams as cinematographers, camera assistants and gaffers. Next steps included rewriting, preproduction and auditioning actors. Students spent the semester pitching ideas, then writing scripts, which were workshopped in class, Rogers said. “Filmmaking is a highly collaborative process, therefore the courses are highly collaborative, as well as intensive.” “Students made 11 films this semester, crewing for each other and rotating through various roles in order to support the writer/director’s vision,” said Dehanza Rogers, assistant professor in PMA. Students showcasing their work include Hannah Shuman ’18, Daniel Chamberlain ’18, Sarah Nixon ’18, Francine O’Bum, MBA ’17, Suh Hye ’17, Alana Siqueira ’17, Ian Rothweiler ’18, Pauline Shongov ’18 and Grant Mulitz-Schimel ’17. May 15 in the Kiplinger Theatre, Schwartz Center for the Performing Arts. The free screenings will take place at 7 p.m. A scene from "Plurality," a student film by Sarah Chandler.įrom stories of budding romances to a vampire huntress out for revenge, the Department of Performing and Media Arts will screen films written and directed by students from Advanced Filmmaking (PMA 4585) and photographed by students from Cinematography (PMA 4420).
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